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Instagram has rolled out a new feature allowing users to share 30-second music previews directly in private chats, making it easier than ever to send EDM tracks to friends. Users can access the feature through a new music sticker in the chat window. After tapping the Messages icon, opening a conversation and selecting the sticker button, you can now choose "Music" and browse Instagram’s audio library for tracks. Once a song is selected, a preview featuring a spinning vinyl animation populates in the chat. After sending, the recipient can play or pause the audio clip. Meta Meta With social media continuing to play a key role in music discovery, this update offers a new way for electronic dance music fans to share tracks...
SoundCloud has rolled out a new feature, "Fan Recognition," designed to help artists identify and highlight their most dedicated supporters. The feature allows musicians to publicly recognize their top fans directly on their SoundCloud track pages, celebrating the diehards who have supported them from day one and keep coming back for more. With "Fan Recognition," artists can showcase two key groups of supporters: First Fans and Top Fans. First Fans are those who listened to and liked a track early on—before anyone else—and they will be displayed in order of plays accumulated during the first week of the song's release. Top Fans are the listeners who continue to engage with the music time and again, consistently playing it the most...
David Guetta and Sia, the artists behind the generational dance anthem "Titanium," are teaming up once again for a new track, "Beautiful People." The iconic DJ and producer took to social media on Monday to share the news, expressing his deep creative connection with Sia and confirming more collaborations with the Australian pop superstar in the future. "This is so crazy, Sia and myself back to working together," Guetta said. "There’s always been a special connection since 'Titanium' between us, and I’m so happy we’re working again... We made a few songs already and I’m about to put out the first one, it's called 'Beautiful People.'" The track, which had previously leaked online years ago, has been highly anticipated by fans. Guetta...
The elevator doors slide open to reveal an office bathed in synthetic pastels, where time itself seems to glitch. Welcome to Revelation Technologies, the fictional corporate twilight zone where The Knocks and Dragonette have set the stage for their latest single, "The Hero." The Knocks' history with Dragonette runs deep—their 2019 single "Slow Song" became a slow-burning anthem, and now, "The Hero" emerges as its introspective successor. An immediate follow-up to last month's "Revelation," the track is a transmission from a parallel dimension where neon-lit synths and aching nostalgia swirl into a dancefloor daydream. The Knocks and Dragonette have mastered the art of turning heartache into something cinematic, and the new single is...
Carl Cox's return to Detroit's Movement Festival has been delayed by one year, he announced this week. The British techno legend was slated to return for the first time in eight years with a special "Hybrid Live" performance. To the dismay of fans, he revealed that scheduling conflicts preclude him from delivering his hotly anticipated performance, which has now been postponed to 2026. "I'm sorry for any inconvenience this may cause, but I promise to make it worth the wait," Cox said in a statement. "When I return, I'll bring my full live show experience, and it's going to be epic! Thank you for your understanding and continued support. See you all in 2026 for an unforgettable show!" While the postponement of Cox's return to Hart...
DARBY’s ‘PARTY’ EP, released November 1st on NIGHTMODE, showcases the Australian DJ’s unique ability to blend bass-heavy beats with catchy house grooves and memorable vocal lines. Already a headliner in his home country, Darby’s signature style shines throughout this four-track project.Featuring collaborations like “TRUST” with Britt Lari and “PARTY” with OOTORO, as well as solo tracks “FLOW” and “AUTOPILOT” featuring ÊMIA, the EP goes beyond typical club fare, diving into the emotional landscape of nightlife. Darby describes it as a study of the club environment: “I wanted to explore the characters, emotions, and energy found in that space. It’s about a night that starts off as a fun escape but ends with a blur of deeper reflection.”...
Billie Eilish’s latest album Hit Me Hard & Soft dives into dark, nuanced themes—and the electronic music community has jumped at the chance to remix these tracks, pushing them into festival-ready anthems and atmospheric club hits. Here are some of the best remixes, each bringing fresh takes on Billie’s originals for electronic music fans to discover. 1. Billie Eilish – Lunch (Bisaria Remix) Bisaria’s remix of Lunch is the crown jewel, effortlessly blending trap and house in a high-energy rework that’s gone viral on TikTok. Winning Interscope Records’ remix contest, this track has dominated the Hype Machine Popular chart twice, with irresistible beat drops and haunting vocal chops that keep fans replaying. Bisaria’s mix injects both...
To celebrate the highly anticipated lineup announcement for the ¿Por Qué No? Cenote Festival, presented by DPM Global, fans now have a chance to win an all-inclusive trip to Tulum’s premier day festival, set to take place on January 3-4, 2025. Building on the success of its sold-out debut in 2024, which attracted over 1,200 attendees, ¿Por Qué No? is returning for 2025 with even more to offer. This year’s event will be held at the stunning Vesica Cenote, a natural paradise with crystal-clear waters that provide the perfect backdrop for a unique festival experience. From 11 AM to 11 PM each day, festival-goers can expect non-stop music, vibrant art installations, and immersive experiences, all in a breathtaking jungle setting. The 2025...
After a full summer of headlining some of the nation’s biggest festivals, LSZEE (LSDREAM and CloZee), two of bass music’s most beloved, preeminent stars released their full, self-titled album followed by two sold-out, headlining Red Rocks shows and a sold-out night at the legendary Brooklyn Mirage in New York City. Now, the beloved electronic music duo are proud to present the full details around their national, headlining album tour. Presale starts Wednesday, November 13 at 10am local with the general on-sale launching on Friday, November 15. Tickets will be available on http://www.lszeemusic.com. A highly ambitious, unique undertaking, the LSZEE tour will present a star-studded cast of supporting talent and a structure of...
Lizdek has quickly proven himself as one of the most exciting rising acts in the bass music scene. From hard-hitting originals to inventive remixes, this Canadian talent has a knack for crafting forward-thinking bangers across formats. Now, he’s back with a new mix we’re thrilled to premiere here at RTT: the third installment of his acclaimed series, Beneath The Surface. As you’ll hear below, the hour-long set immerses you in Lizdek’s world with unreleased IDs, massive collabs, and surprise cameos. Rising heavyweights like Atura, nikko, Silcrow, and Viperactive also join the mix, alongside the producer’s coveted ‘MANIAC’ ID (which recently appeared in RL Grime’s Halloween mix). Including nods to rock and alternative from Mudvayne...
TATE SEDAR’s rise from LA’s underground scene feels like a story ripped from the dreams of any ambitious artist. Starting with nothing but raw talent and the limited tools of GarageBand in an Apple store, he found his way to crafting tracks that dominate festival stages. There’s a certain fun-loving intensity in his work, the kind that grabs you by the ears and makes you feel every moment beat to beat. TATE creates his own vibes and experiences that lock in long after the music fades. His sound can turn raw emotion into something you can dance to—straight-up powerful. TATE’s climb has been nothing short of impressive. He’s landed spots on platforms like WeRaveYou and EDM.com, pulling in millions of streams. But what really sets him...
Rising Canadian electronic duo ASH HALO is back with one of their best singles yet in “Vice Versa”. Arriving via Create Music Group, the self-released record boasts a compelling collaboration with fellow Canadian artist Save Yourself, weaving together reggae, hardstyle, melodic bass, and trap into a powerful soundscape. As you’ll hear below, Vice Versa mirrors the ebb and flow of Sara and Dave’s partnership, both as a couple and as collaborators, with heartfelt lyrics and an energetic production. Ethereal vocals and soaring melodies dance over bass-heavy beats, creating a captivating journey through the highs and lows of love. With their genre-defying style and undeniable talent, ASH HALO is set to make waves with Vice Versa—a track...
Klypi, the audacious pop persona of multi-disciplinary artist AC Carter, has finally dropped their second LP, Icon Enterprises, through Lolipop Records. As you’ll quickly hear below this isn’t just another synth-pop album—it’s a full-on performance art experience that merges 80s nostalgia with the raw emotion of modern life. Known as an “alien trapped on Earth,” Klypi navigates the complexities of human existence with a unique mix of business savvy and musical flair. Influenced by groundbreaking artists like DEVO and Laurie Anderson, AC uses Klypi to explore themes of queerness, unrequited love, and capitalist disillusionment, all while creating a sound that’s both textured and punchy. From Birmingham, Alabama, to LA, Carter’s journey...
Fresh off the release of his acclaimed Bigger Than Us album, Stephan Jacobs—under his BOSA moniker—returns with an electrifying remix of SIA’s powerful anthem “Towards the Sun.” Known for blending deep, organic grooves with cinematic soundscapes, the rising artist breathes new life into the track, adding a feel-good energy that echoes timeless global anthems like Bob Sinclar’s “World Hold On” and Calvin Harris’ “Feel So Close.” With uplifting, sunshine-soaked beats and vibrant tribal percussion, this remix pulses with BOSA’s signature global groove, effortlessly complementing SIA’s soulful, commanding vocals. Already out and ready to light up dancefloors, BOSA’s remix promises to resonate with longtime fans of the original as well as...
AVANCE, an influential force in electronic music, invites listeners on a shadowed journey with his latest album, I Saw The Screen Bleed. Renowned for defying expectations in dubstep, the talented producer draws from the chilling essence of horror films, evoking intense, visceral emotions with every track. Earth-shaking basslines and distorted, serrated rhythms conjure a suspenseful and immersive soundscape that lingers like haunting scenes from the darkest of cinema. This album reveals AVANCE’s enduring fascination with horror. Early encounters with horror films left an indelible mark, cementing the genre as more than entertainment—a powerful means of expression. In I Saw The Screen Bleed, he weaves an unsettling narrative that...
If you like a fresh dose of underground electronic music, somewhere in that left field where music is often labeled as IDM, electronica, rave, jungle, drum’n’bass, drone, ambient etc., I have a new podcast/online radio station for you! Audiointerface.org is an independent online radio station, broadcasting shows live and making those shows available on Mixcloud and your favorite podcast app. Right now there are 2 shows, both presented by Pete Xylander, but there might be more coming in the future. You can pitch your own ideas for a show if you fancy joining in the fun too. Just check out the website to find out how. If you like beats in your electronic music, check out the Forgotten Futures show. There’s a new episode available every...
The third and last installment is out of the This Is Not What I Call Bonk Wave #003 album, so I don’t have a lot more to say about this by now. Except that it’s (of course) full of great music from fedi artists, and you should definitely check it out. The process of getting a 3-part compilation album out the door, driven by a collection of loosely banded people, has been no small feat. Key 13 has taken a large part in this. He did an excellent write-up of the process, which is worth checking out, if you’re interested in the effort this took. If you feel like joining in the fun in some way, by getting your music on a future compilation, or helping out with album art, promotion or whatever, drop by on the Bonk Board and say hi. We...
If you’ve been tuned in to the #BonkWave tag on the Fediverse, you certainly found out about this earlier, but Disc B of the Not What I Call Bonk Wave album #003 has been released last Friday the 8th of November. Go get it! This disc is subtitled “Bonked and Unbonked”, to fit the more mellow, and acoustic style of submissions sent in for the compilation. Once again it’s a joy for the ears, with a lot of variation, and some really fun tracks in there. I also have a chill track on this disc at position 7, called “Robo Diner Jam“. On disc A, I went for a straight four-to-the-floor style track, with a gritty bassline. Here it’s a more meandering melodic electronic tune, where 3 synths blend together in a bleepy mélange. I wrote both...
The Bonk Wave crew have been at it again, and compiled a massive Not What I Call Bonk Wave Volume #003. Submissions were open over the summer, and this resulted in so many artists sending in submissions that this volume is going to be spread over 3 separate releases, with a total of 43 tracks. Wow. So, if you like a wide range of indie music from (mostly) Fediverse artists, stretching all over the place style-wise, this is something for you. The theme for this release was Bonked/Unbonked, with Unbonked being whatever you think doesn’t Bonk enough to be on a Bonk Knob Records compilation. The idea was to increase the diversity from mostly electronic music, and allow more various styles to enter the Bonkiverse. And it worked. There are...
I have this folder with old breakcore/jungle mixes and dj-sets from around 2005 and later, when streaming from SoundCloud or whatever wasn’t a thing yet. Recently someone on Twitter was looking for an old mix I blogged about, so I figured I might as well put the old mp3 mixes I have up on archive.org, so anyone can find and enjoy them. I’ve uploaded most of my =subject%3A%22Breakcore%22']breakcore mixes by now, and will be adding some more in the future. For search engines’ sake, I’m listing below what I’ve uploaded so far. Bong Ra @ Bangface 2006 Bong Ra Peelsession Mix Bong-Ra @ Kink.FM Bong-Ra Live @ Motion Sickness Vs Wrong Music Bong-Ra Yardcore 2 Mix c64 DCS 905 radio mix c64 Live @ Wasted Fest c64 live Bristol UK c64 Live In...