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  1. 12-01-2012  #1

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    Quote Originally Posted by richardik03 View Post
    I like to put the EQ after because i often cut frequencies more than boosting and when you comprees you are loosing a bit of your EQ settings, just different ways to work I've worked with some engineers that even use limiters instead of compressors for the bus channels haha
    yeah thats true, i usually EQ first to cut everything out then compress then EQ again. Yeah i've jumped on the limiter bandwagon as well, i multiband compress my basses, used more to expand them

  2. 12-01-2012  #2

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    Quote Originally Posted by stallion203369 View Post
    yeah thats true, i usually EQ first to cut everything out then compress then EQ again. Yeah i've jumped on the limiter bandwagon as well, i multiband compress my basses, used more to expand them
    To be honest I use only one EQ for each channel almost everytime, I have the idea not to process the bass that much. For me if a sound needs that much processing I'll just change the synth sound (I'm working just with midi so that suits me perfectly). By the way, I found some creative ideas using vocal effects vst's on the bass sounds (mostly AVOX vst's), give this a go! :)

  3. 12-01-2012  #3

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    Quote Originally Posted by richardik03 View Post
    To be honest I use only one EQ for each channel almost everytime, I have the idea not to process the bass that much. For me if a sound needs that much processing I'll just change the synth sound (I'm working just with midi so that suits me perfectly). By the way, I found some creative ideas using vocal effects vst's on the bass sounds (mostly AVOX vst's), give this a go! :)
    Yeah thats cool, i still mix like i do with my bands and stuff but was able to transfer sort of the same techniques to dance music. Alot of my stuff is midi as well, but getting massive bass sounds has alot to do with compression, and my EQ'ing dosent look like the rocky mountains haha its more finer cuts and boosts. i agree if you need to over process something then change it. Yeah i've seen a few producers do that vox fx, still hasnt sold it for me yet

  4. 12-01-2012  #4

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    Quote Originally Posted by stallion203369 View Post
    Yeah thats cool, i still mix like i do with my bands and stuff but was able to transfer sort of the same techniques to dance music. Alot of my stuff is midi as well, but getting massive bass sounds has alot to do with compression, and my EQ'ing dosent look like the rocky mountains haha its more finer cuts and boosts. i agree if you need to over process something then change it. Yeah i've seen a few producers do that vox fx, still hasnt sold it for me yet
    FUCK! I thought my idea was original hahah, just check out Avox Mutator & Avox Warm on your bass, thy give a bit more analog feel when used right

  5. 12-01-2012  #5

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    Quote Originally Posted by richardik03 View Post
    FUCK! I thought my idea was original hahah, just check out Avox Mutator & Avox Warm on your bass, thy give a bit more analog feel when used right
    Think i might have to haha, yeah man i thought alot of my ideas were original but some bastards already doing it hahaha

  6. 12-01-2012  #6

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    Quote Originally Posted by stallion203369 View Post
    Think i might have to haha, yeah man i thought alot of my ideas were original but some bastards already doing it hahaha
    a couple of my producer mates do that as well

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