Production & Technical Aid

[richardik03]

I'll just compress the buss channels first to get it to the max level, then sidechain it to the bassdrum to give space for the two of them and then i'll lower a bit the frequencies that are alike of each one (for example i will remove 10-60 hz on the synth and then remove 150-300 on the bassdrum) it may sound weird by reading this but when you compress everything it would help removing the mess in frequencies. A tip appart from this that I was told is to remove any innecessary frequencies from every channel to leave room for instruments that really use them.

[stallion203369]

I'll just compress the buss channels first to get it to the max level, then sidechain it to the bassdrum to give space for the two of them and then i'll lower a bit the frequencies that are alike of each one (for example i will remove 10-60 hz on the synth and then remove 150-300 on the bassdrum) it may sound weird by reading this but when you compress everything it would help removing the mess in frequencies. A tip appart from this that I was told is to remove any innecessary frequencies from every channel to leave room for instruments that really use them.

I find that when you EQ before compressing, you want that stage to cut the unwanted frequencies, then do all your compressing then EQ again but this time you do the boosting. i dont know how much you know about compressors but they react to certain frequencies, so if you boost the hell out of say 100hz then the compressor will work harder and attack the 100hz range before compressing everything else. all i all it will change the way everything sounds compared to EQ - Compress - EQ.
I that makes sense haha

[richardik03]

I find that when you EQ before compressing, you want that stage to cut the unwanted frequencies, then do all your compressing then EQ again but this time you do the boosting. i dont know how much you know about compressors but they react to certain frequencies, so if you boost the hell out of say 100hz then the compressor will work harder and attack the 100hz range before compressing everything else. all i all it will change the way everything sounds compared to EQ - Compress - EQ.
I that makes sense haha

I like to put the EQ after because i often cut frequencies more than boosting and when you comprees you are loosing a bit of your EQ settings, just different ways to work I've worked with some engineers that even use limiters instead of compressors for the bus channels haha

[stallion203369]

I like to put the EQ after because i often cut frequencies more than boosting and when you comprees you are loosing a bit of your EQ settings, just different ways to work I've worked with some engineers that even use limiters instead of compressors for the bus channels haha

yeah thats true, i usually EQ first to cut everything out then compress then EQ again. Yeah i've jumped on the limiter bandwagon as well, i multiband compress my basses, used more to expand them

[richardik03]

yeah thats true, i usually EQ first to cut everything out then compress then EQ again. Yeah i've jumped on the limiter bandwagon as well, i multiband compress my basses, used more to expand them

To be honest I use only one EQ for each channel almost everytime, I have the idea not to process the bass that much. For me if a sound needs that much processing I'll just change the synth sound (I'm working just with midi so that suits me perfectly). By the way, I found some creative ideas using vocal effects vst's on the bass sounds (mostly AVOX vst's), give this a go! :)

[stallion203369]

To be honest I use only one EQ for each channel almost everytime, I have the idea not to process the bass that much. For me if a sound needs that much processing I'll just change the synth sound (I'm working just with midi so that suits me perfectly). By the way, I found some creative ideas using vocal effects vst's on the bass sounds (mostly AVOX vst's), give this a go! :)

Yeah thats cool, i still mix like i do with my bands and stuff but was able to transfer sort of the same techniques to dance music. Alot of my stuff is midi as well, but getting massive bass sounds has alot to do with compression, and my EQ'ing dosent look like the rocky mountains haha its more finer cuts and boosts. i agree if you need to over process something then change it. Yeah i've seen a few producers do that vox fx, still hasnt sold it for me yet

[richardik03]

Yeah thats cool, i still mix like i do with my bands and stuff but was able to transfer sort of the same techniques to dance music. Alot of my stuff is midi as well, but getting massive bass sounds has alot to do with compression, and my EQ'ing dosent look like the rocky mountains haha its more finer cuts and boosts. i agree if you need to over process something then change it. Yeah i've seen a few producers do that vox fx, still hasnt sold it for me yet

FUCK! I thought my idea was original hahah, just check out Avox Mutator & Avox Warm on your bass, thy give a bit more analog feel when used right